The Long Way Home - Smashing the Shackles (Original)

The Long Way Home - Smashing the Shackles art by Jesus Blasco

The Long Way Home - Smashing the Shackles (Original)


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Artist: Jesus Blasco
Medium: Ink on Acid-free Paper
Size: 14" x 18" (344mm x 455mm)
Date: 1970
Code: BlascoTLWH3-1x2

This is the unique original Ink drawing by Jesus Blasco.

Beric and Mona have been captured and are being marched across jagged rocky terrain. Mona and Beric stumble across a cache of armour and tools and are able to smash their shackles. Unfortunately they are found by a menacing Pict who seems to have rather unfriendly intentions.

The story is about two British children, Mona and Beric, in the year 396AD during the reign of Arcadius. The children are taken as slaves by Romans in the Scottish province of Valentia and are travelling through ancient Britain in search of their parents and their home.

This page is an excellent example of Blasco's incredible inking.

Brilliantly illustrated by the great Jesus Blasco for the strip The Long Way Home. This page was published in issue 386 of Treasure on 6th June 1970.

The original artworks are inked onto paper which has been pasted to a stiffer page. Unfortunately these stiffer pages had been cut lengthways in half, most probably to facilitate postage or storage of the artwork. We are pleased to say that over 50 years later, we have managed to pair most of the artworks together and they have been re-secured using conservation grade materials, in order to present these pages as they were originally intended.

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  • Artist Biography
    Jesus Blasco Monterde (3 November 1919 - 21 October 1995; Barcelona, Spain)
    From November 1954 when his first strip appeared in the UK, Jesús Blasco carved an astonishing path through British comics, producing some of the most popular stories of their times. British strips often played fast and loose with historical facts and physics and grounding them in Blasco's photo realistic artwork made them believable to their youthful audience. His artwork inspired a generation of new artists, Dave Gibbons and Brian Bolland both acknowledging his influence.

    Jesús Blasco Monterde was born in Barcelona, Spain, on 3 November 1919, one of five siblings—brothers Alejandro, Adriano, Augusto and sister Pilar—who, to one degree or another, all worked in comics. Entirely self-taught, Blasco began working professionally in comics shortly after his first prize-winning drawing appeared in Mickey when he was 14. Only 15, he created 'Cuto' for Biloche in 1935. The boy hero become one of Spain's most popular comic creations following his appearance in Chicos in 1940 and Blasco added a second popular strip to his CV when he created 'Anna Diminuta' for Mis Chicas.

    Blasco was called up to serve during the Spanish Civil War and, after the war, served three years military service whilst still managing to keep up a steady output of comic strips from war stories to nursery tales.

    In 1954, he made his debut in the UK and continued to contribute to British comics for over 20 years. From drawing 'Buffalo Bill' and 'Billy the Kid' in Comet and Sun, Blasco took over the artwork of those most British of heroes, 'Robin Hood' and 'Dick Turpin'. He also turned his hand to fairy tales, drawing beautifully painted spreads for Playhour featuring Pinocchio, the Dancing Princesses, Rumpelstiltskin and others.

    In 1962 he drew 'Vengeance Trail' for Eagle and, that same year, began work on his two longest-running strips: the darkly menacing adventures of 'The Steel Claw' in Valiant and the whimsical children's fantasy 'Edward and the Jumblies' for Teddy Bear.

    Thanks to inking help from his brothers Alejandro and Adriano, who did not receive any individual credits in the UK after 1955, the Blasco family were able to turn out an astonishing number of pages each week with no fall-off in quality.

    In 1968, Blasco adapted 'Montezuma's Daughter' for Look and Learn and went on to draw further features and stories for that paper and its companion, Treasure. In the 1970s, he also drew the adventures of 'The Wombles' and 'Return of the Claw', but the market in the UK was no longer able to absorb his output. In 1968 he had drawn 'Los guerrilleros', written by Michael Cussó, for Spirou. Now, in 1974, he became more heavily involved in the Portuguese comic Jornal do Cuto and the Spanish comic Chito and his output in the UK fell away. Apart from a few episodes of 'Dredger' in Action and the opening three episodes of 'Invasion' for 2000AD, Blasco turned his sights to Europe, where he was invited to adapt the Bible as a series of comic strips.

    In 1982, Blasco was awarded the prestigious Yellow Kid at Lucca and the French honorary award Ordre des Arts et des Lettres. In 1986 he worked with Victor Mora on reviving 'El Capitán Trueno' but the strip was caught up in the collapse of its publisher. Blasco turned to Italy and Bonelli's long-running western saga 'Tex' and science-fantasy 'Zona X'. He also teamed up again with Victor Mora to recount the historical adventures of 'Tallaferro'.

    There is an air of total realism about Jesus Blasco's work. Blasco is often almost photographic in the delineation of his characters and, although occasionally this tends towards a rather static look to some frames, his fine sense of composition and sensitive drawing style more than adequately compensates. Born in Barcelona, Jesus Blasco started drawing for Spanish comics while still in his teens. The eldest of five brothers, most of whom are illustrators and who are often engaged in inking his work, he has worked in practically every genre: Historical, Western, Detective, Fairy Tales.

    In addition to Thriller Picture Library, he contributed many strips to the Cowboy Comics Library and picture strip versions of two Jeffrey Farnol historical romances for Look and Learn. He drew many strips for Lion, including probably the most celebrated of all his strips in this country - The Steel Claw.

    Blasco died on 21 October 1995, survived by only one brother, Adriano.
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FREE DELIVERY

£0.00
£360.00
In Stock