Wilfred D 'Bill' Mevin (23 January 1922 - 30 December 2019; West Derby, Lancashire, England)
Bill Mevin was a British comic artist and animator. His career spanned over half a century in which he mostly created comics based on popular pre-existing cartoon shows and TV series for TV Comic and Pippin. He was most notably one of the early 'Doctor Who' comic artists, and additionally worked on popular newspaper strips like 'Soapremes' for the Daily Mail and 'The Perishers' (1992-2006) for the Daily Mirror.

Born in 1922, Bill Mevin attended the Liverpool School of Art. He subsequently went on to work for Gaumont British in the 1940s as an animator, and when GB-Animation closed he worked on Batchelor and Halas's full-length Animal Farm, released in 1954, working alongside comic artists such as Maurice Dodd, Reginald Parlett and Harold Whitaker. It was the first full-length feature animation to be made in Britain – and part financed by the CIA as part of their campaign against Stalinism.

He joined the Sunday Chronicle as a topical cartoonist when Batchelor and Halas also closed its doors, working for them until the paper was taken over, and during a career that spanned several decades, drew strips for a variety of comics such as Eagle Extra, Express Weekly (drawing “Wee Sporty”), Pippin and TV Comic, drawing strips for the latter, initially published by Lord Beaverbrook and then by Polystyle Publications, such as 1970s episodes of “Barney Bear” (taking over from Bill Titcombe), “Bugs Bunny”, “Droopy”, “Lenny the Lion”, a strip centred on the puppet sidekick of ventriloquist Terry Hall, “Popeye”, “Space Patrol”, a terrific run on Gerry Anderson’s “Supercar”, “World Cup Willie”, based on the 1966 FIFA World Cup mascot, and, of course, “Doctor Who”, taking over from Neville Main.

Bill's work on “Supercar” began on TV Comic in 1961, possibly prompted by the appearance of Supercar in a colour “Lenny the Lion” strip. Shaquille le Vesconte has previously noted Mevin returned the characters to their caricatured glory, instilling a lively cartoon movement that was absent in the series. The only time this was at odds in the strip was when the regulars would meet the more realistically depicted guest characters. “But this could be forgiven as the art was far more dynamic, and struck a fine balance between the drama and humour of the scripts,” Shaquille commented on his Complete Gerry Anderson Comic History site. “Part of this additional humour and characterisation may have been due to Mevin himself, as he was already writing (as well as drawing) Lenny the Lion, and collaborated with writer Alan Fennell on some of the story ideas.

Whereas most artists had only a professional interest in drawing strips, Bill Mevin was actually a long-time friend of the composer of the music for Supercar and other Gerry Anderson series, Barry Gray, as they had met in the RAF while serving in India. Shaquille le Vesconte noted Bill Mevin and Barry Gray both shared musical and artistic interests, and it was their mutual friendship which kept Mevin interested in Supercar – making him one of the more enduring of artists on any strip, clocking up three years straight – including the annuals and specials.

Bill remained proud of his six-month stint on “Doctor Who” for TV Comic throughout his life, returning to the strip to create two covers for Marvel UK’s Doctor Who Classic Comics (Issues 7 and 15) and also provided the cover for Paul Scoones limited edition hardback of his excellent The Comic Strip Companion.

His work for the young children's title Pippin included “Bill and Ben, The Flowerpot Men”, “The Herbs”, “Morph” and “Pogle’s Wood”, among others, and “Happy Families” for Whizzer & Chips in the 1970s and 1980s.

When work in comics began to founder in the 1980s and 1990s he returned to working for newspapers, drawing the Dallas and Dynasty-spoofing strip called “The Soapremes” in 1986, then working with Maurice Dodd on “The Perishers” for the Daily Mirror from 1992, taking over from Dennis Collins, until the strip ended after Dodd's death on 31st December 2005.

In retirement, Bill continued to draw pictures for Perishers fans and charity auctions, and wrote a novel for Young Adults, Peggy (2016), about a flying pony, published by Troubador – a descendent of Pegasus – who is given to a young girl by Zeus himself.

He was predeceased by his wife, Lilian (nee Archbold), whom he married in 1953. They lived in Bromley, Kent, until her death in 2012, aged 87.

Maurice Dodd (25 October 1922 - 31 December 2005; Hackney, London)
Born in Hackney, London, Maurice Dodd was an English writer and cartoonist best known for his years spent working on The Perishers comic strip published in the Daily Mirror.

During the Second World War he served in the Royal Air Force as a Servicing Commando, alongside Bill Herbert. After the war Dodd was demobilised and began to study art. He then found work in advertising and, after he won a competition to write a slogan for Time, Bill Herbert, by then the cartoon editor at The Daily Mirror, offered Dodd the chance to take over the writing of a comic strip he had created, The Perishers. Working with the artist Dennis Collins, Dodd provided rough layouts, which Collins then drew from.

Maurice didn't work in the usual way of producing a written script from which the artist worked, but worked out his own ideas in rough pencilled layouts with action and dialogue in situ, while Dennis continued to execute finished drawings for the script. Ben Witham moved on to write gags for the popular single frame cartoon Useless Eustace.

The Collins - Dodd combination was successful and the Perishers moved into the national editions in October 1959. The partnership lasted until Dennis retired in 1983. Maurice then took on the complete execution of the strip, from idea to finished artwork, until 1992, when he once again went into partnership, this time with Bill Mevin who now executes the finished work.

Dodd continued to work in advertising, such as on the Clunk Click Every Trip series of public information films intended to remind drivers of the benefits of wearing a seatbelt. It was while he was working on this campaign that Dodd came into contact with FilmFair, a company responsible for the creation of television programmes based on The Wombles and Paddington Bear. Dodd collaborated with the company in bringing The Perishers to television. Dodd left advertising in 1980 and subsequently wrote a number of children's books.

In 1983 Collins retired, leaving Dodd to write and draw The Perishers alone until 1992, when Bill Mevin began doing all the art work for the strip. Dodd continued working on the strip until he died, from a brain haemorrhage, in Shepperton on 31 December 2005.