The Voyage of The Mayflower (Signed) (Original)

The Voyage of The Mayflower art by Cecil Doughty

The Voyage of The Mayflower (Signed) (Original)


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Artist: Cecil Doughty
Medium: Pen & Ink Wash on Board
Size: 11" x 15" (290mm x 370mm)
Date: 1951
Signature: Signed by artist bottom right
Code: DoughtyMayflower

This is the Signed unique original Pen & Ink Wash by Cecil Doughty.

The Mayflower was the ship that transported the first English Separatists, known today as the Pilgrims, from Plymouth to the New World in 1620. There were 102 passengers, and the crew is estimated to have been about 30. This voyage has become an iconic story in some of the earliest annals of American history, with its story of death and of survival in the harsh New England winter environment.

The culmination of the voyage was the signing of the Mayflower Compact which established a rudimentary form of democracy, with each member contributing to the welfare of the community.

Doughty creates a stark contrast between the gruff bearded mariners and the pilgrim passengers aboard the vessel, with their delicate faces and children being breastfed or listening to bible stories on deck. The lady to bottom left and the man to the right hand side holding the mast, both keep unflinching eye contact with us as onlookers, creating a real sense of us being on-board as well.
  • Artist Biography
    Cecil Langley Doughty (7 November 1913 - 26 October 1985; Withernsea, Yorkshire, UK)
    C L Doughty was one of the most prolific and successful historical illustrators to work on Look and Learn and other weekly educational papers. He produced several thousand illustrations between 1961 and 1982, his output astonishing in both quantity and quality.

    Doughty was born in Withernsea, Yorkshire and trained at Battersea Polytechnic, London. His earliest comic strip was a two-page Buffalo Bill adventure which appeared in Knockout in July 1948. Doughty produced strips for Phillip Marx's Star Flash Comic and Challenger Comic in 1948, followed by the cover and interior art for an adaptation of 'Oliver Twist' for the first issue of A Classic in Pictures (1949). 'Lorna Doone' followed soon after (in issue 8) before Doughty returned to the Amalgamated Press, drawing 'Terry Brent', a spot-the-clue detective series for School Friend.

    Doughty found his metier when he began drawing for Thriller Comics, the 64-page pocket library edited by Leonard Matthews. His first tale was an adaptation of W. Harrison Ainsworth's Windsor Castle (1953) followed by a variety of stories featuring Robin Hood and Dick Turpin.

    Critic David Ashford, a long-time fan of Doughty's work, has said: “Turpin's comrades were beautifully realised by Doughty. Based, as they are, on R. H. Brock's drawings for the Newnes pocket book series of the 1930s, all the varied personalities came to life – among them, the elegant “gentleman highwayman” Tom King, the swaggering Irishman, Pat O'Flynn and, perhaps best of all, the humorous character Jem Peters, he of the mutton chop whiskers. All are portrayed with obvious affection and enormous gusto. Strongly influenced not only by the Brock brothers but by other 19th century artists of 18th century subjects such as Hugh Thomson, Doughty's style is, I think, best expressed in the one word, “debonair”. There is a certain way in which his leading characters stand, move and tilt their head which is peculiar to Doughty. It is a style which is ideal for these historical entertainments and strongly reminiscent at times of Douglas Fairbanks at his swashbuckling best.”

    Doughty's ability was often overlooked in the 1950s, his only full page painting appearing on the rear cover of an issue of Comet in 1958. He worked briefly for Express Weekly (1957-58) and for eight months took over the artwork for 'Jack O'Lantern', a historical adventure strip in Eagle (1959-60).

    In 1962, Doughty began producing illustrations in colour and black & white for Look and Learn. Doughty occasionally wrote his own scripts for the series on 'Famous Houses' that appeared on the centre pages of in early issues.

    When Look and Learn closed in April 1982, Doughty decided to retire from commercial artwork and concentrate on landscapes. Already in his late sixties, he held an exhibition of his 'straight' work in Carmarthen, where he was then living. He also took on commissions and produced some magnificent paintings for fans.

    In 1985, Doughty moved to a dilapidated cottage with a splendid studio, but died shortly after, aged 71. An extensive biography and gallery of Doughty's Look and Learn work appeared in a 2012 book entitled Pages From History.
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FREE DELIVERY FOR THIS ITEM.

£0.00
£400.00
In Stock