The Fifth Form at St. Dominic's - Test (TWO pages) (Original)

The Fifth Form at St. Dominic's - Test (TWO pages) art by Cecil Doughty

The Fifth Form at St. Dominic's - Test (TWO pages) (Original)


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Artist: Cecil Doughty
Medium: Pen & Inks on Board
Size: 14" x 19" (350mm x 470mm)
Date: 1979
Code: DoughtyStD15-12aLL

These are the unique original Pen & Ink drawings by Cecil Doughty.

The Fifth Form at St. Dominic's (published 1881) is the best known of the school stories by the late nineteenth century author Talbot Baines Reed.

The stories as well as the book were written for the Boy's Own Paper and published by the Religious Tract Society, with illustrations by Gordon Browne. It was adapted into the film of the same name.

Reed had no personal experience of a public school education himself; consequently, the book lacked some of the realism of other comparable books like Tom Brown's Schooldays and Eric, or, Little by Little.

However, the book was written with great enthusiasm and it started a tradition of boarding school stories in British juvenile fiction that lasted until the end of World War II.

The novel was serialized as a 14-part 2-page comic in Look and Learn magazine between December 1979 and March 1980.

This is the first episode published 15th December 1979.
  • Artist Biography
    Cecil Langley Doughty (7 November 1913 - 26 October 1985; Withernsea, Yorkshire, UK)
    C L Doughty was one of the most prolific and successful historical illustrators to work on Look and Learn and other weekly educational papers. He produced several thousand illustrations between 1961 and 1982, his output astonishing in both quantity and quality.

    Doughty was born in Withernsea, Yorkshire and trained at Battersea Polytechnic, London. His earliest comic strip was a two-page Buffalo Bill adventure which appeared in Knockout in July 1948. Doughty produced strips for Phillip Marx's Star Flash Comic and Challenger Comic in 1948, followed by the cover and interior art for an adaptation of 'Oliver Twist' for the first issue of A Classic in Pictures (1949). 'Lorna Doone' followed soon after (in issue 8) before Doughty returned to the Amalgamated Press, drawing 'Terry Brent', a spot-the-clue detective series for School Friend.

    Doughty found his metier when he began drawing for Thriller Comics, the 64-page pocket library edited by Leonard Matthews. His first tale was an adaptation of W. Harrison Ainsworth's Windsor Castle (1953) followed by a variety of stories featuring Robin Hood and Dick Turpin.

    Critic David Ashford, a long-time fan of Doughty's work, has said: “Turpin's comrades were beautifully realised by Doughty. Based, as they are, on R. H. Brock's drawings for the Newnes pocket book series of the 1930s, all the varied personalities came to life – among them, the elegant “gentleman highwayman” Tom King, the swaggering Irishman, Pat O'Flynn and, perhaps best of all, the humorous character Jem Peters, he of the mutton chop whiskers. All are portrayed with obvious affection and enormous gusto. Strongly influenced not only by the Brock brothers but by other 19th century artists of 18th century subjects such as Hugh Thomson, Doughty's style is, I think, best expressed in the one word, “debonair”. There is a certain way in which his leading characters stand, move and tilt their head which is peculiar to Doughty. It is a style which is ideal for these historical entertainments and strongly reminiscent at times of Douglas Fairbanks at his swashbuckling best.”

    Doughty's ability was often overlooked in the 1950s, his only full page painting appearing on the rear cover of an issue of Comet in 1958. He worked briefly for Express Weekly (1957-58) and for eight months took over the artwork for 'Jack O'Lantern', a historical adventure strip in Eagle (1959-60).

    In 1962, Doughty began producing illustrations in colour and black & white for Look and Learn. Doughty occasionally wrote his own scripts for the series on 'Famous Houses' that appeared on the centre pages of in early issues.

    When Look and Learn closed in April 1982, Doughty decided to retire from commercial artwork and concentrate on landscapes. Already in his late sixties, he held an exhibition of his 'straight' work in Carmarthen, where he was then living. He also took on commissions and produced some magnificent paintings for fans.

    In 1985, Doughty moved to a dilapidated cottage with a splendid studio, but died shortly after, aged 71. An extensive biography and gallery of Doughty's Look and Learn work appeared in a 2012 book entitled Pages From History.
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FREE DELIVERY FOR THIS ITEM.

£0.00
£240.00
In Stock